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Acropollis Museum

Those arriving in Athens for the first time generally head immediately for the Acropolis. There are very few visitors who are not already familiar with the image of this distinctive citadel of ancient Athens, perched on its steep flat-topped rock above the sprawling city. It is the spot where Athens, and classical Greek civilisation, began, and the site of a collection of beautiful temples, most dedicated to the goddess of wisdom, Athena. The ruins that remain visible today date from the 4th century BC, most of them erected by Pericles after the Persians destroyed many of the original Acropolis buildings. Visitors toil up the slopes past the souvenir stands and enter the site through the monumental entrance way, the Propylaia, which in ancient times contained an art gallery. To the right of the entrance is the tiny temple of Athena Nike, reconstructed and restored. The Parthenon, the greatest surviving monument of Doric architecture, is the biggest drawcard on the Acropolis, built of Pentelic marble quarried from the distant mountains, which form the backdrop to the magnificent view of Athens from the Acropolis. Alongside the Parthenon is another temple, the Erechtheion, which bears holes on its northern porch where Poseidon’s trident struck it during his contest with Athena to have the city named after him. There is a museum on the Acropolis, too, where some of the carving and friezes recovered from the temples are on show, although many of the archaeological finds from the Acropolis are now housed in the British Museum in London.

The Museum occupies the S.E. of the rock of the Acropolis where the sanctuary of Pandion once stood. The Museum contains mainly pedimental sculpture, reliefs and statues found on the rock of the Acropolis, which formed part of the decoration of its buildings or were dedicated to the goddess Athena. Among the latter is the unique collection in the world of statues of female figures of the archaic era known as the “Korai” with the well known archaic smile, such as the Kore of Lyons, the Kore of Naxos, the Kore of Chios, the Peploforos Kore, the Kore of Antinor, the Kore of Euthidikos, etc. From the remaining votive offering sculptures, those of outstanding interest are the Moschoforos, Rampin’s horseman, a hunting dog, the Boy by Kritias, the head of the blonde youth, etc. There are also sphinxes, four-horse chariots and many votive reliefs such as that of Lenormant, Athena in Meditation, etc.